Bringing together the international mountmaking community
IMF2022 PRESENTERS
On Wings and a Prayer: Building the Mount for Archangel Michael
Adam Franchino
The Walters Art Museum, Baltimore, MD. USA
Sagredo Overdoor
Andrew Estep
The Metropolitan Museum of Art, New York, NY. USA
Openable Photo Corners, an Improvement on the Standard Photo Corner
Annajean Hamel
Northeast Document Conservation Center, Andover, MA. USA
Reuniting Krishna and his Mountain at the Cleveland Museum of Art
Barry Austin, Arthur Beukemann, Philip Brutz, Beth Edelstein, Carlo Maggiora
The Cleveland Museum of Art, Cleveland, OH. USA
‘He Take Ngā Kōiwi E Rere Ai Te Manu’ - Even the Bird Needs Bones to Fly
Callum Strong
Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
Mounting and Framing the 20 Iconic Plates from ‘Jazz’ by Henri Matisse
Charlotte Park, Sarah Laing
The Scottish National Gallery, Edinburgh, Scotland
The irresistible attraction of the magnets and the large format work on papers: the experience of the Salce Collection National Museum in Treviso, Italy.
Claudia Giostrella, Valeria Arena Salce
Florence, Italy; Ministry of Culture, Italy
The Evolution of Traveling Exhibition Jewelry Mounts at Tiffany & Co. 2012 – 2018
Cortney Zusin
The Tiffany Archives, Tiffany & Co., Parsippany, NJ. USA
The Reframing and Mounting of Ginevra De’ Benci for Exhibition
Eric Michael Tollefson
National Gallery of Art, Washington, D.C. USA
Considerations of Alternative Mount Designs for Three-Dimensional Objects
Erik Risser
Getty Museum, Los Angeles, CA. USA
Mountmaking and the Mind’s Eye
Jamie Hascall
Hascall Consulting LLC, Seattle, WA. USA
Disrupting The View: Floating Plates and Uncovered Porcelain at the Harvard Art Museums
Jill Comer
Harvard Art Museums, Cambridge, MA. USA
A K-pop Pose for Tiny Clothes: Next Level Fosshape
Keira Miller
Victoria & Albert Museum, London, UK
Between 2 carts
Laura McClure, Jen Simons
National Museum of American History, Washington, DC. USA ; Brigid Mountmaking, USA
Getting Bums on Seats: Displaying Costume on Seated Figures
Lauren Isles
Victoria & Albert Museum, London, UK
Please Don’t Touch, A Crating Case Study
Paul Rimmer
National Galleries of Scotland, UK
Finding the point of balance between preventive conservation and the magic of precarious assemblages in the works of Manasie Akpaliapik
Pierre-Luc Brouillette, Annie Gauthier Long
Musée national des beaux-arts du Québec, Quebec City, Quebec. Canada
Innovative Mountmaking with 3D Scanning and Digital Fabrication
Rene Gortat, Doug Young
Leerform, Brooklyn, NY. USA
Persia in Quarantine: Remote Mountmaking during a Pandemic
Richard Hards
Getty Museum, Los Angeles, CA. USA
Supporting the World of Stonehenge
Sarah Choy, Ben Fox, Phil Jell
The British Museum, London, UK
Gridding our Loins
Shelly Uhlir, Jim Williams, Adam Bradshaw
National Museum of the American Indian, Washington, DC. USA; The Kent State University Museum, Kent, OH. USA; Miras Museum Solutions, Dearborn, MI. USA
How Do You Store a 450-lbs Tapestry Covered In Pins?
Simon Barron
Toronto, Ontario, Canada
Mounting Oversized Photographs at Tate
Simon Philpott
Senior Conservation Technician (Paper and Photographs), The Tate Gallery, London, UK