IMF2020 PRESENTERS
Mount-making for Display and Conservation: A Case Study
Leanne Smith
Whitworth Art Gallery, Manchester, UK
Nowhere to Hide: Seamless mounting on a Plexiglass Panel
Andrew Estep; Jody Hanson
Metropolitan Museum of Art, New York, New York, USA; Jody Hanson, Freelance Mountmaker, Buffalo, New York, USA
Telescopic Slide: A wall-mount system for presenting light and fragile objects.
Pierre-Luc Brouillette
Musée national des beaux-arts du Québec, Québec, CA
St Louis Art Museum: Virtual Mount Lab Tour
Tim Skornia
Saint Louis Art Museum, St. Louis, Missouri, USA
Floating cradle for pamphlets and light books.
Lucía Torner
Winterthur Museum, Garden & Library, Winterthur, Delaware, USA
Internal Struggles: A Look at Interior Mounting Solutions
Warren Bennett
Metropolitan Museum of Art, New York, New York, USA
Invisible Mounts: Internal Mounting Techniques at the Harvard Art Museums
Jill Comer
Harvard Art Museums, Cambridge, Massachusetts, USA
Mounting religious objects with a consideration for access to the object
Louise Bradley
Conservation Framing for Works of Art, Rye, Victoria, AU
Mounting a private collection of ethnographic art
Louise Bradley
Conservation Framing for Works of Art, Rye, Victoria, AU
Mount Fixtures for Donald Judd Sculpture
Tim Skornia
Saint Louis Art Museum, St. Louis, Missouri, USA
Mounting Isamu Noguchi's 1 Ton Sculpture, The Seeker Sought
Vincent Avalos
Asian Art Museum, San Francisco, California, USA
Shaking Not Stirred
Ted Gardeline and Monica Shah
Anchorage Museum, Anchorage, Alaska, USA
MFA-Boston: Virtual Mount Shop Tour
Brett Angell
Museum of Fine Arts Boston, Boston, Massachusetts, USA
Herculaneum Tripod and Ivory Fragments: A Visible Mount
Richard Hards and Jessie Arista
J. Paul Getty Museum, Pacific Palisades, California, USA
Digital Fabrication in the Museum space
Adam Bradshaw
Smithsonian Institution, National Air and Space Museum,
3D Technology for the making of Replicas and Mounts
Bebay Gonzalez
Auckland War Memorial Museum, Auckland, NZ
Displaying a leather back turtle amongst a sea of rubbish
Tom Beeston
Auckland War Memorial Museum, Auckland, NZ
Stephen Jones Hats: A Pragmatic Approach to Mounting 160 Objects in 30 Days
Jamie Robinson and Ania Golebiowska
Zenzie Tinker Conservation, Brighton, UK
Waist-ing away: developing a hanging waist support system for safe costume storage
Becky Doonan
freelance textile conservator, Maastricht, NL
Hang in There! Fashioning Storage Mounts for Costume
Ann Coppinger and Alison Castaneda
Museum at the Fashion Institute of Technology, New York, New York, USA
Overcoming the Challenges of Mounting a 39 foot long Painted Textile with a Magnetic Mounting System
Gwen Spicer and Tim Harriss
Spicer Art Conservation, LLC, USA; Virginia Museum of Fine Arts, Richmond, Virginia, USA
Mountmaking Focus Studio: Virtual Shop Tour
Jamie Hascall
Mountmaking Focus, Seattle, Washington, USA
Paper Hair and Paper Maché: Mounting Two Korean Headpieces at the Victoria and Albert Museum Using Paper Materials
Andrea Goldstein
Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA
Mannequins at NMAI: An Ongoing Conversation
Shelly Uhlir and Emil Her Many Horses
Smithsonian Institution, National Museum of the American Indian, Washington, DC, USA
Mannequin Matters at Kent State University Museum
Jim Williams and Sarah Hume
Kent State University Museum, Kent, Ohio, USA
Anchorage Museum mannequin evolution
Sarah Owens
Anchorage Museum, Anchorage, Alaska, USA
Mannequins For Real People: Historic Vs. Contemporary
Lara Flecker
V&A Museum, London, UK
MFA-Boston- A Mannequin Is Converted
Brett Angell
Museum of Fine Arts, Boston, Boston, Massachusetts, USA
There Are Two Sides to Everything
Heidi Swierenga
The University of British Columbia, Museum of Anthropology, British
Mounting a Queue of Human Hair for an Exhibit on Discrimination: A Mountmaking Story
Ian Hart (US)
Natural History Exhibit Preparator, San Francisco, California, USA
What Your Mountmaking Mama Never Told You
Erika Johnson, Jen Simons
Brigid Mountmaking, USA
A Reimagining: Returning the Lost Ornaments to Robert Adam's Table at the Metropolitan Museum of Art
Jody Hanson and Nick Pedemonti
Freelance Mountmaker, Buffalo, New York, USA; American Museum of Natural History, New York, New York, USA
The Chair That Wouldn't Fall Over
Brett Angell
Museum of Fine Arts Boston, Boston, Massachusetts, USA
Buttons and Magnets: A Mountmaker's Journey
Laura McClure
Smithsonian Institution, National Museum of American History, Washington, DC
Looking at Magnetic Cleaning Pads for Exhibit Display Cases
Gwen Spicer; Yadin Larochette
Spicer Art Conservation, LLC, USA; Tru Vue, USA
Magnet Panel Discussion
Gwen Spicer; Laura McClure; Pierre-luc Brouillette
Spicer Art Conservation, LLC, USA; Musée national des beaux-arts du Québec, Québec, CA; National Museum of American History, Washington, DC, USA
A Clear View From Above. View-top jar lids for the exhibition of fluid preserved specimens
Ian Hart
Natural History Exhibit Preparator, San Francisco, California, USA
You Can Stick It: Tips on the Use of Lascaux 303 for Temporarily Securing Museum Objects on Display
Sebastian Denize, Neeha Velagapudi and Emily Fryer
Canterbury Museum, Christchurch, NZ
Remote mountmaking and virtual couriering: a case study
Philip Brutz; Renée Stein; Robin Hanson; Bruce Raper
Cleveland Museum of Art, Cleveland, Ohio, USA; Emory University, Atlanta, Georgia, USA